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Design Advice for Brochures That Are Proven to Work


Do you want people to pay attention to the brochure that you have? We've saved you the trouble by compiling a list of alterations that are advised by industry professionals and will enhance your brochure from outstanding to amazing.




If you would rather not have to begin the process of developing your brochure from scratch, you can take use of one of the many excellent brochure templates that we provide (opens in a new tab). If, on the other hand, you want to go all out and design it from scratch, you should strive to create something that will be the highlight of your portfolio (opens in new tab).


Due they may either inundate the reader with an excessive amount of information or bore them to death, brochures sometimes get a bad rap from the general public. This is because of the way in which they can behave. If nobody is going to bother reading the item despite the fact that it is likely to be jam-packed with information, then the quality of the information that is contained inside is meaningless.


The following are 25 pointers that will assist you in designing a brochure that people will want to distribute to their own networks.




If you want to use photos into your design, check to see that they have a resolution that is high enough to meet your needs. If the images do not have a high enough quality, you will not be able to make them any larger on any page of the brochure.

Always try to match together pages that have backgrounds of the same style if at all feasible. On pages 2 and 3, there will be visual consistency thanks to the use of backdrops that seem identical to one another.

When developing a brochure, you should always apply varnish or lamination if the background is black. This is a need. A brochure that has a restricted budget should not make use of a black background since it gives the impression of being pricey. The colour white is the most logical choice.



It is possible that an abstract work of art will be included on the cover of the brochure. When it comes to abstract painting, the use of lines and forms can always make everything seem more complete. Do not commit the common error of including an excessive amount of information on the cover's first page.


It is possible for minimalist design to have a significant effect without seeming boring. The title of the brochure is embossed in a simple and legible font, making it stand out against the white background of the brochure. Even if there isn't much contrast, the overall image is fairly clean and modern. It is possible for the embossing on the brochure to continue on into the inside, which would give it a special touch.


When preparing the style of your brochure, it is a good idea to begin by inquiring of your customers as to the reasons they believe they need a brochure. Then you should have them put out their objectives. There are times when they only want one after an earlier brochure failed to impress them in any way. When they provide you a brief, it is imperative that you take a step back and evaluate the objectives they have in mind.


The booklet gives the impression of being simple at first glance. It's a huge, weighty book with a lot of information packed into it. On the other hand, unfolding the cover reveals a beautiful floral pattern that is a wonderful match for the vibrant red that is seen on the first page. Even something as simple as hiding some beautiful flowers may have a significant impact on the people who are watching.


Only three types of typefaces are required for the design of a brochure: a main font for the header, a secondary font for the subheadings, and a body copy font. Regrettably, the notion that one must choose a certain headline font is one that is widely held by the general public. The customer usually has the last say in the choosing of the font, since they will most likely already have an established brand identity.


Make use of any real-world items, such as a CD or DVD, and include them in your brochure in an inventive manner. You are not restricted to the traditional short back sleeve in any way. The CD will now materialise of its own own and be presented to you for selection. A space that would have been otherwise flat is given depth and dimension as a result of the design of the pop out.


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